“In the stillness of a riverbend or the hush of pine shadows on a mountain trail, I find something that feels closer to truth than anything I’ve found in the noise of daily life.”
Introduction: Where Silence Begins
There’s something sacred about the sound of your boots crunching on a trail before sunrise. When the only other noise is the rustling of leaves and the distant hum of water, that’s where solitude begins. It’s not about loneliness—it’s about space. Space to think. Space to breathe. Space to reconnect.
For me, that space has always been filled with two things: a fly rod in one hand, and a camera slung over my shoulder.
The Pull of the Wild
Fishing isn’t just a sport—it’s a rhythm. It slows life down. The act of watching a mayfly drift, of reading currents and shadows, and feeling the tension in a line before a strike—it pulls you into the present like few things can.
Photography is the same. It demands patience. Observation. The willingness to wait for light to break just right through canyon walls or for the breeze to settle before clicking the shutter.
In wild places, these two crafts merge. The fly rod casts for trout, the lens captures the light—and together, they etch a memory into your soul.
Solitude Isn’t Escaping—It’s Returning
People often think solitude is running from the world. But the truth is, it’s returning to what matters. Out there—along the banks of a freestone river or deep in a Texas marsh—you’re not bombarded by alerts, deadlines, or expectations. You’re just being.
Fishing forces you to observe. To learn. To fail, and try again. The same goes for photography. It teaches you to see what you missed the first time. And in both, you learn that success is quiet. It’s not always the fish caught or the perfect photo. Sometimes it’s just that you were there.
Why I Keep Coming Back
I’ve fished from the saltgrass flats of Galveston to alpine streams in New Mexico, camera packed tight beside my reels. I’ve camped beside waters that sang me to sleep, and hiked miles before dawn to reach a pool that might hold a single rising trout.
I do it for the adventure.
I do it for the peace.
But mostly—I do it to remember who I am when everything else is stripped away.
The wild has a way of revealing truths. It’s where I go to reset, to listen, and to create. And every photo I take or fish I release is a thank-you note to the land that gave me the quiet I needed.
What You Can Take With You
If you’re someone who’s felt overwhelmed by the buzz of modern life, I’d encourage you to pick up a fly rod, a camera, or even just a journal—and go.
Find a river. Hike a trail. Camp in the backcountry. Wake before the sun. Cast badly. Take blurry shots. But stay out there long enough to feel the noise fade.
Because once you do—you’ll understand this:
Solitude isn’t empty. It’s full of the things that truly matter.
Gear I Bring for Solitude
Fly Rod Setup: Sage Spectrum C reel, 4–6 wt rods depending on the water
Camera: Canon R5 + Sigma Art & Canon L-Series lenses
Tripod: K&F Concept carbon tripod
Filters: K&F ND filters for long exposures on streams
Editing Workflow: Lightroom Mobile on iPad Pro during the trip, stacked images for depth
Final Thoughts: The Quiet Places Need Our Voice
Solitude may be personal—but it’s also endangered. As more wild places shrink under development and public land access is threatened, we have a responsibility to protect what heals us.
I encourage you to support conservation efforts, educate others, and share your own moments in the wild. Whether through words, photos, or quiet action—remind others why these places matter.
Because if we lose them, we don’t just lose fish or trails—we lose a part of ourselves.
High in the mountains of New Mexico, I found a glowing grove of quaking aspens just as the sun broke through the canopy. There’s something about these trees — tall, slender, golden-skinned — that draws you in. I came prepared with my Canon 90D, Canon L-series lenses, a K&F Concept tripod, and even my iPhone, knowing this scene was too good to miss from any angle.
Canon 90D + L Series Glass: Sharpness Meets Versatility
For wide environmental shots, I relied on the Canon 24–70mm f/2.8L, but for more intimate details — like clusters of bark, layered trunks, or isolating one tree against the backdrop — I used my Canon 70–200mm f/2.8L. This lens gave me the compression and clarity I needed to highlight subtle textures and pull distant trees forward with depth.
Shot Breakdown:
• Camera: Canon 90D
• Lenses: 24–70mm f/2.8L and 70–200mm f/2.8L
• ISO: 100
• Aperture: f/10 for wide shots, f/2.8–f/5.6 for close-ups
• Tripod: K&F Concept Carbon Fiber
• Filter: K&F CPL
Using the 70–200mm for Detail and Compression
Aspens are photogenic both up close and from a distance. With the 70–200mm, I framed tighter compositions — trunks in golden light, black knots in the bark, and sunlit patches on the forest floor. The telephoto compression made the grove look more layered and dense, almost like a wall of trees — which added a cinematic quality to some shots.
Pro Tip: Use the 70–200mm at 135mm–200mm to compress the forest and fill the frame with repeated lines and patterns — it’s ideal for making the grove feel deeper and more immersive.
iPhone Photography: Don’t Underestimate Your Pocket Camera
While the DSLR gear handled most of the heavy lifting, I also snapped a few frames with my iPhone 15 pro. With smart HDR and excellent native contrast, it delivered surprisingly strong results — especially with the wide and ultra-wide lenses.
Tips:
• Use portrait mode for foreground subjects like logs or leaves.
• Tap to meter on the trunk or shadowed mid-tones.
• If available, shoot in RAW with the Halide or Lightroom Mobile app for better editing flexibility.
Composition in the Grove: Light, Lines, and Layers
I timed the main shot so the sun peeked just over the tree line, creating a soft sunburst effect without washing out the scene. A fallen log led into the grove, creating a visual path that made the image feel more three-dimensional.
With the 70–200mm, I also isolated “portraits” of individual trees and detail shots of light hitting the bark. These close-ups tell a different story — quieter, more focused.
Editing in Lightroom: Preserving Natural Mood
For Canon RAW files:
• Boosted midtone contrast with the tone curve.
• Desaturated greens slightly for a more natural forest feel.
• Lifted shadows to expose bark detail.
• Used radial filters to add subtle spotlighting where the sun naturally fell.
Before and after
For iPhone shots:
• Adjusted highlights and whites to bring back sky detail.
• Used Lightroom Mobile’s “Texture” slider to enhance bark detail.
• Applied slight vignette to draw the eye inward.
Why Aspen Trees Are a Photographer’s Dream
Aspens offer built-in symmetry, light diffusion, and contrast. The bark’s pale tones pop in shadowy groves, while the leaves filter sunlight with a soft glow. In New Mexico’s higher elevations, these trees are often found in wide open clearings — perfect for both drone and ground photography. What makes them even more special is their shared root system, meaning this forest is often one living organism — a fact that adds a bit of wonder every time I step into a grove.
Closing Thoughts: Slow Down, Look Closer
Photographing aspens is a study in rhythm and reflection. Whether you’re standing back with a 24mm or zooming in at 200mm, these trees offer something ethereal. And whether you’re carrying a full kit or just your phone, the forest rewards those who pause, observe, and frame with care.
Exploring the backcountry through fly fishing, photography, hiking, and travel, I seek out remote rivers, hidden trails, and wild landscapes — capturing each adventure through the lens and the line. Whether chasing trout in alpine streams or hiking rugged terrain to untouched waters, every journey is a blend of exploration, creativity, and connection with nature.
While walking the National Mall during golden hour, I stopped to photograph one of the more quietly powerful tributes in D.C.—The Lone Sailor statue, located just outside the National Archives. This figure stands as a symbol of all who have served in the U.S. Navy, representing both honor and solitude. The contrast of bronze and stone against the soft, fading light created the perfect opportunity to slow down and reflect through photography.
“The Lone Sailor may be a statue, but through the lens, he becomes a reminder of those quiet moments of waiting, traveling, and sacrifice.”
The Lone Sailor statue stands in silent reflection, facing the National Archives building in Washington, D.C.—a powerful tribute to service, memory, and history
Composition & Creative Approach
The first image frames the statue from behind, gazing toward the National Archives building just as the city lights begin to glow against the deep blue sky. I composed it wide to balance the lone figure with the architectural symmetry and American flags above.
The second shot tightens the frame for a portrait-style perspective. This highlights the sailor’s detailed expression and gear, with a shallow depth of field blurring the cityscape behind him. I wanted the viewer to feel like they had walked right up to the statue for a conversation.
A front portrait of the Lone Sailor statue in Washington, D.C., capturing the solemn expression and dignified stance as he faces the National Archives in quiet tribute
Gear Used
• Camera: Canon R5
• Lens: Canon RF 50mm f/1.2L
• Tripod: K&F Concept Carbon Fiber Tripod
• Editing: Lightroom (iPad Pro)
• Selective radial filters for depth
• Texture slider to enhance bronze details
• Minimal color grading to preserve realism
Photography Tips
• Golden + Blue Hour: These times give you soft, directional light with rich contrast—perfect for monuments.
• Perspective: Lower angles create more presence and power in statues. Don’t shoot everything from eye level.
• Background Awareness: A wide aperture (like f/1.2–f/2.8) helps isolate the subject and reduce distracting background elements.
• Surface Reflections: Slightly wet pavement or stone can enhance contrast and mood. Look for patterns or shine in the ground.
Historical Note
The Lone Sailor is a life-size bronze statue created by artist Stanley Bleifeld and dedicated in 1987 by the United States Navy Memorial Foundation. It represents the personal experiences of every Navy service member—standing watch, ready to deploy, duffle bag at his side. Positioned in the heart of the nation’s capital, the statue serves as a powerful tribute to those who’ve served and sacrificed across all naval conflicts.
A side view of the Lone Sailor statue in Norfolk, Virginia, captures the sailor’s steady gaze and weathered sea bag, symbolizing honor and readiness by the water’s edge
Final Thoughts
The Lone Sailor statue isn’t just bronze and detail—it’s memory cast in metal. It honors every sailor who ever stood on a pier and looked out over uncertain waters, carrying hope, fear, pride, and purpose. Capturing it through the lens reminded me why photography matters—it freezes emotion, preserves light, and offers space for reflection.
Whether I’m out fly fishing in the Rockies or walking through a city with camera in hand, moments like these remind me that stillness can speak just as loudly as motion. This statue, set against the hustle of Washington, D.C., tells a quiet story of duty and distance—and invites each of us to pause and remember.
“Some monuments don’t just honor history—they make you feel it.”
Thanks for reading and stepping into this moment with me. More photo essays, fishing stories, and explorations coming soon. Until then, keep your eyes open and your shutter ready—because meaning lives in the details.
Photography teaches you to see the world differently—but it also teaches you to act differently. And sometimes, that means lying down on hot pavement in the middle of a city, with people walking by wondering what on earth you’re doing.
It’s funny how self-conscious I used to feel taking pictures in public, especially from low angles or unconventional spots. But I started realizing that some of my favorite images came from those very moments—when I tuned out the world and focused on framing, texture, and perspective.
What I’ve learned is this: chasing a vision means risking how you’re seen. And that’s a risk worth taking every time.
“I lay flat on the asphalt for this shot—people walked past giving me side glances, but I wanted the full texture of the ground to lead into the gothic architecture.”
“Low perspective, wide lens, and waiting on the clouds to part. I felt a little ridiculous crouched this low, but the symmetry and texture were too good to pass up.”
So next time you’re out with your camera—or doing anything that matters to you—take the risk. Get the angle. Follow your eye. And forget what anyone else might think. Because authenticity always outshines approval.
After a long, demanding day, I find peace in the simplest moments—flipping through a good book, hiking a quiet trail, casting a fly into a still pool, or just watching the light shift through the trees. Whether it’s photography that helps me slow down and focus on the little details, or a walk through the woods to reset my perspective, nature is my go-to reset button. These moments remind me to breathe deeper, move slower, and live more intentionally.
Photography in the outdoors isn’t just about clicking the shutter—it’s about reading the light, finding intentional angles, and understanding how timing transforms a scene. Whether I’m hiking through wildflowers, waiting quietly in a bird blind, or navigating city streets with a wide lens, I’m always chasing the moment that tells the story best.
Timing the Wild: Bald Eagle at Golden Hour
This bald eagle shot captures more than a bird—it captures focus, patience, and light. I waited for the golden hour to gently highlight the eagle’s feathers and profile, shooting through a natural frame of blurred branches to keep attention on the intensity of its gaze.
Close-up of a bald eagle staring intensely with sharp yellow eyes, showcasing its powerful beak and detailed feathers against a blurred natural background
Outdoor bird photography tip: Use natural framing and soft backlight for dramatic wildlife portraits.
Gear: Canon R5 with canon 400mm L series lens. Edited in Lightroom for natural contrast and feather detail.
Path to the Sun: Framing With Leading Lines
This image of a wooden boardwalk leading toward the glowing sunset was all about golden hour beach photography and using strong leading lines. The reflection of sunlight on the wet boards gave the image texture and warmth, making it feel like you’re stepping straight into the light.
Photography tip: Position yourself at a low angle to exaggerate reflections and symmetry, especially when shooting at sunrise or sunset.
Gear: iPhone capture, edited in Lightroom Mobile to adjust warmth, contrast, and highlights.
Low and Wild: Bluebonnets and Cabins
Spring in Texas brings with it a flood of color—especially bluebonnets. This low-angle wildflower shot was taken by lying on the ground to let the flowers dominate the foreground. The rustic cabin in the background gives a sense of place and scale, inviting the viewer to imagine stepping into that clearing.
Texas Hill Country cabin with bluebonnets in full bloom, low-angle photography capturing rustic charm and wildflowers in spring
Photography tip: Don’t be afraid to get dirty—some of the best shots come from the ground level.
Fog and Structure: Lighthouse in the Mist
Fog can strip away distractions and emphasize mood. This shot of a lighthouse barely emerging through the coastal fog was taken early in the morning. The structure becomes a silhouette, and the lack of color enhances the sense of solitude.
Mist drapes the Hudson River Lighthouse in a soft veil of fog, capturing a quiet, ethereal moment on the water
Photography tip: Switch to monochrome or embrace fog’s desaturation in post to focus attention on contrast and composition.
Moments in Motion: Washington, D.C. Street Perspective
In this street photo of two people walking through Washington, D.C., I focused on symmetry and timing. Lining up the trees and path allowed the subjects to become part of the environment rather than the center of attention—storytelling through subtlety.
In black and white, two figures walk the National Mall in Washington, D.C., their shadows stretching across the sidewalk as the fading light of evening adds a touch of nostalgia to the scene
Gear: Canon 24–70mm lens.
Urban Giants: Low Angle in Cincinnati
Standing at the base of a towering building in Cincinnati, I wanted to emphasize the size and geometry of the architecture. Shooting from a low angle with a wide lens, I caught clean lines pulling skyward while the morning light cast soft shadows down the building’s face. The cloudy sky above added contrast to the structure’s strong verticals.
An old stone building, rich with history and character, stands as a testament to timeless craftsmanship and enduring architectural beauty
Architecture photography tip: Use a wide-angle lens and crouch low to create a sense of scale and grandeur. Overcast skies can be great for soft, even light.
Gear: Canon 16–35mm f/4L lens. Slight Lightroom correction for vertical distortion and contrast.
Echoes of Time: Plantation Home Beneath a Century-Old Oak
There’s something timeless about black and white photography—especially when the subject already carries a hundred years of history in its bones.
This image features a historical plantation home framed beneath the sprawling arms of a live oak tree that’s likely been standing for over a century. Shot in monochrome, every crack in the bark and weathered board on the home tells its own story. The absence of color lets the textures do the talking—the gnarled branches, the sharp contrast between shadow and light, the sun casting a soft glow on the edge of the roofline.
historic plantation home stands behind a century-old oak tree, its majestic branches creating a serene backdrop for the timeless architecture
What drew me to this shot wasn’t just the structure, but the relationship between the house and the tree. The oak doesn’t just stand in front of the house—it presides over it. Its limbs stretch wide like protective arms, yet its roots run just as deep into the same soil that built the home.
Photography tip: When capturing historic architecture in black and white, shoot during late afternoon or early morning when shadows stretch longer. Let contrast tell the story—light becomes your narrator.
Gear: Canon R5, 24–105mm L lens. Converted to monochrome in Lightroom, with emphasis on clarity and shadow depth.
Final Thoughts: Walk Farther, Wait Longer
Every photo tells a story, but it’s the search for that story—the walking, waiting, watching—that makes the capture worth it. Whether it’s chasing golden hour on a boardwalk in the Cozumel, crouching low to frame a Cincinnati building just right, or catching the fog wrap around a lighthouse like a secret, it’s all about finding the angle that speaks.
Some moments, like the soft silhouette of two people walking a path in D.C., are subtle. Others—like the commanding presence of a black-and-white plantation home beneath a 100-year-old oak—are loud in their stillness. They remind us that time, light, and history are always working together in the frame.
Behind the lens and out in the wild, whether I’m on the flats chasing redfish or tucked beneath a canopy of trees chasing light, my goal is always the same: tell a story worth pausing for. Through my blog, I share not just images, but the journey it took to get them—gear tips, camera setups, editing workflows, and the terrain beneath my boots.
Keep exploring, keep shooting, and always chase the light.
Street photography is about more than documenting buildings or city scenes—it’s about pausing in the hum of a city’s rhythm to frame character, history, and light in a single moment. This short series explores a few such moments from my walk through the streets and riverfront of downtown Cincinnati.
1. Lyric Piano Company & Tri-State Jeweler Row
Black and white photo of Lyric Piano Company and Tri-State Jewelers Row storefronts, showcasing historic architecture in downtown Cincinnati
Black and white always strips a scene down to form, texture, and contrast. In this image, I was drawn to the architectural details of these neighboring buildings. The Lyric Piano Co. facade, adorned with Roman columns and arched windows, tells of a once-vibrant musical past, now quietly echoing into modernity.
Beside it, the Tri-State Jewelers storefront anchors the present with its bold signage—functional, utilitarian, and a little worn. Above, the sky breaks into soft clouds, adding an airy counterbalance to the hard geometry of the structures below. The car, the walker—passing stories in a place that feels paused.
2. Roebling Bridge: Steel & Shadow
Black and white image of the John A. Roebling Suspension Bridge in Cincinnati, highlighting steel cables and dramatic shadows with architectural contrast
The Roebling Suspension Bridge, a historical marvel that spans the Ohio River, offered a chance to capture scale and symmetry. Shot in monochrome to emphasize the structural lines and mood, I waited until the sun broke through behind the towers, casting deep shadows and light beams across the clouds.
From this angle, the bridge rises like a gateway, connecting not just Kentucky and Ohio, but the past and present—steel cables and weathered stone holding decades of transit, trade, and change. You can almost feel the wind cutting across the river as trains roll in the distance.
Street-level view of Cincinnati City Hall in full color, where historic architecture meets everyday city life on the sidewalk
3. City Hall & Sidewalk Voices
This final image returns to full color—a bold departure that matches the mood of the scene. The warm stonework of Cincinnati’s historic City Hall glows under the midday sun, flanked by deep blue skies and kinetic clouds.
But the most powerful element is at your feet. The painted fists and vibrant mural on the pavement transform the street into a message. It’s protest, pride, and art—urban storytelling beneath gothic towers. This contrast between civic architecture and grassroots voice is what makes street photography come alive.
Gear Used:
Canon R5, Sigma Art lenses, edited in Lightroom on iPad Pro with contrast-focused black and white presets and radial masking for sky balance.
Closing Thoughts — Legacy in Every Line
Street photography isn’t just about documenting what we see—it’s about interpreting how we feel in the presence of place, shadow, and time.
As I walked through downtown Cincinnati, camera in hand, I wasn’t chasing the perfect subject. I was following textures, contrasts, and the way light touched the city’s surfaces. Each image in this mini series captures a layered moment: the quiet power of a historic bridge, the voice of protest beneath gothic spires, the way old storefronts still speak in black and white.
These streets hold more than movement—they hold memory.
Legacy is written in brick, steel, glass, and sky.
And with every frame, we get to preserve a small part of it.
Thank you for joining me on this walk through Light, Lines & Legacy.
Share your own images with the tag #LegacyInLines
And above all—keep looking deeper. The stories are always there, waiting in the light.
There’s a rhythm that sets in when you spend days wandering rivers, casting dry flies, and capturing the land through your lens. After hiking into La Plata, following the Pine River Trail, rising early on the Animas, and whispering along the Dolores, something starts to shift—not just in the way you fish, but in how you move through the world.
This final chapter isn’t about a specific cast or photo. It’s about what all of this meant once I came off the trail, rinsed the mud off my boots, and looked back at the miles behind me.
From Maps to Moments
When I first sat down to plan this trip, it was a checklist: routes to hike, rivers to fish, hatches to chase. I studied topo maps and overlays on Google Earth, watched weather systems roll in and out of the San Juans, and marked backup camp spots in case storms closed the trail.
But once you’re out there, none of that matters as much as the small moments. Like the first rise in a quiet pool. Or the sound of elk bugling across a valley at dawn. Or finding the perfect shaft of morning light filtering through lodgepoles, with a river bend waiting beneath it.
The Camera Changed Everything
I brought my Canon R5 to document the trip, but photography became more than just documentation—it became a second way of fishing. I wasn’t just casting for trout anymore. I was casting for light. Waiting for angles. Watching how clouds moved across the sunlit ridges. Timing the shutter for a take or the ripple of a rise.
Using Sigma and Canon L-series lenses, I played with depth and storytelling: wide shots to show scale, macro shots to capture tiny streamside blooms, long exposures for rivers flowing like silk. Editing in Lightroom on my iPad Pro, often while huddled in a tent during afternoon showers, gave me time to reflect while still on location.
What the Rivers Taught Me
Each river had something to say.
• La Plata taught me to slow down and observe.
• The Pine River showed me the power of patience and hiking deep.
• The Animas reminded me to cast boldly, to adapt, and to respect fast water.
• The Dolores whispered the importance of silence, solitude, and light.
Fly fishing in these places wasn’t just about catching trout—it was about connectingwith wild places. And photography made me see them differently. Not just as terrain to cover or fish to find—but as stories, shapes, and shifting light worth remembering.
The Final Campfire
On the last night, I sat at a bluff above the Dolores, fire crackling, stars just beginning to show. I had one more trout on the line earlier that evening, and one more photo of the sky turning peach above the canyon wall. The tent was pitched, the boots were drying, and my gear—rod and camera alike—was dusty but intact.
It hit me then: This trip was less about fish and more about presence. About choosing to walk farther, wait longer, and look more closely. About building a rhythm between motion and stillness, casts and clicks, silence and shutter.
So What Comes Next?
I’ll be back on the flats of the Texas Coast soon—casting from my kayak, camera tucked into my hatch. And later this year, another mountain trip to Maine where I’ll be fishing for brooks. Then up to Colorado and Utah. Maybe back to New Mexico. That’s the beauty of it: the stories never end. The rivers are always waiting.
Final Reflections and Tips
• Planning is critical, but stay flexible—rivers don’t follow your itinerary.
• Photography adds depth to fishing; carry your camera, even if it slows you down.
• Capture everything, not just the fish—landscape, weather, details, movement.
• Don’t chase numbers. Chase the experience. The cast. The quiet. The light.
• Bring a journal or use your camera as one. Tell your story while you’re still in it.
Thanks for following this journey.
Whether you’re chasing trout in the Rockies or tailing reds on a coastal flat, I hope this series inspires you to slow down, look deeper, and carry both a rod and a lens. The wild places are out there—and they’re best explored with muddy boots, weathered gear, and eyes open to everything between the casts.
If the Animas River is a bold, rushing conversation, the Dolores River speaks in whispers. Tucked between the slopes and canyons of Southwest Colorado, this river winds through rugged terrain, shifting between dense forest, rocky cliffs, and sage-covered meadows. It’s a place of stillness, where every bend feels like it belongs to you—and the browns that live here feel like a gift you earn, not a prize you chase.
The Approach: Getting to the River
The upper Dolores is more remote than it looks on the map. Depending on where you go—above McPhee Reservoir or toward the West Fork—you’ll wind down forest service roads, sometimes dodging rockfall or puddles from last night’s rain. I pulled off just before sunrise at a bend that looked promising. No signs, no crowds, no footprints in the sand.
I geared up quickly: 9’ 4wt rod, Sage Spectrum C reel, floating line with a long 5x leader. I grabbed my K&F Concept camera pack, Canon R5, and my Sigma 24–70mm lens to start, knowing the early light would be soft and perfect for river compositions.
Quiet Water and the First Cast
The Dolores at this stretch was gentle—glasslike pools framed by golden willows, with the occasional riffle tumbling over polished rocks. I rigged a single dry: a #16 tan Elk Hair Caddis, and started casting upstream into the seams. The fish here weren’t picky, but they were spooky. Long leaders and slow movements were the name of the game.
The first brown came from under an overhang, perfectly camouflaged against the river bottom. I crouched low, played it gently, and then paused to shoot—kneeling at water level to capture its golden flanks against the mirror-like pool behind it.
Photographing Solitude
Photography here wasn’t about action—it was about silence. I slowed down and started looking for compositions that told a story: a pool framed by sunlit pine branches, reflections of clouds in still water, the gentle curve of the river disappearing into cottonwood shade.
Using a circular polarizer, I cut glare from the surface and exposed the rocks and movement underneath. I stopped often to shoot macro shots—moss on river stones, fresh caddis cases on logs, wildflowers just beginning to bloom along the bank. The Canon R5 let me switch between stills and slow-motion video, capturing the way wind moved through the reeds like a painter’s brush.
Fly Selection and Brown Trout Behavior
As the sun climbed higher, the trout moved deeper. I switched to a dry-dropper setup: a #14 Stimulator on top with a #18 Zebra Midge below. The browns in the Dolores aren’t huge, but they’re aggressive and feisty, especially when your drift is clean and natural.
I targeted small plunge pools below boulder-strewn riffles and deeper pockets shaded by cliff overhangs. Most takes were subtle—a twitch or a swirl rather than a splash. The largest of the day came from a tight seam below a fallen pine: a buttery brown with red spots vivid against olive flanks. I wet my hands, admired him in the net for a moment, then let him go.
Weather Watching and Midday Reset
As with most Colorado rivers, the Dolores plays by mountain rules—sunny one minute, storm clouds the next. By noon, dark clouds were building behind the ridges. I took the cue to rest, retreating to a patch of grass above the river, checking radar, and reviewing my shots on my iPad Pro. I backed up files, edited a few images in Lightroom using preset adjustments for contrast and warmth, and ate lunch while a soft rain moved through.
Evening Glow and Last Light
By late afternoon, the rain cleared, and the golden hour was beginning. I hiked upstream a little farther to a stretch with higher canyon walls and a series of gentle cascades. The light lit up the canyon like fire—red rocks glowing, the water catching flecks of sun, and the air thick with golden reflections.
This was my favorite photography session of the trip—shooting handheld with my 70–200mm lens, I caught reflections of cottonwoods in the river, crisp landscapes framed with long shadows, and one last brown trout rising in the golden light.
Why the Dolores Stays With You
Some rivers give you a lot right away. The Dolores gives slowly. It rewards patience, attentiveness, and a photographer’s eye. You may not land a dozen fish, but each one feels earned. And the scenes—the ones you only find by walking, waiting, and watching—make it unforgettable.
Fly Fishing Dolores River Essentials
• Best Flies: Elk Hair Caddis, Parachute Adams, Zebra Midges, Stimulators, Streamers in fast water
• Rod Setup: 4wt or 5wt rod, long leaders, floating line
• Tips: Stay low, fish slow, take your time to photograph the river between casts
• Safety Note: Watch afternoon storms; bring a small first-aid kit and map (no service in remote stretches) Insure you have downloaded all your offline maps
The Dolores River isn’t about action—it’s about appreciation. It asks you to slow down, to watch the way light plays on water, and to cast not just for fish, but for the memory of that perfect, quiet moment in the canyon.
Next Up: Part 6 — Full Circle: Reflections, Routines, and What the Backcountry Teaches Us
Some rivers don’t give up their secrets easily. The Pine River, also known as Los Pinos, is one of them. Tucked deep in the Weminuche Wilderness of Southwest Colorado, it requires effort, patience, and a willingness to hike into solitude. But if you’re after wild trout in clear mountain water—and the kind of light that makes your photos glow—there are few places more rewarding.
The Trailhead to Solitude
The journey starts at the Pine River Trailhead near Vallecito Reservoir. It’s a dusty parking lot, a worn wooden sign, and a reminder that you’re on the edge of something vast—the largest wilderness area in Colorado.
The trail runs along private land for the first few miles, so fishing and camping are off limits early on. But once you cross into the national forest boundary, the river opens up, wild and remote. The elevation gain is steady but forgiving, and the views just keep getting better. Towering peaks peek through pines, and wildflowers bloom along the trail like a postcard from July.
With my Canon R5, K&F Concept backpack, and 5wt rod, I hit the trail just after sunrise. The air was crisp, golden light filtered through the lodgepoles, and the river sparkled below.
Early Light and River Mist
I stopped just past the wilderness boundary where the river flattened into a lazy bend. The mist rose off the water like breath, and I dropped my pack to capture the moment. Using my 70–200mm lens, I focused on the layers—backlit pine branches, the soft swirl of fog, and the glint of sun hitting the waterline.
For long exposures, I mounted my tripod, dialed in a low ISO, and let the shutter run. These are the kinds of images I live for—where the emotion of the place shines through the frame.
Setting Up the Rig
The Pine River demands versatility. I rigged up a dry-dropper setup: a #14 Parachute Adams up top and a #16 Hare’s Ear Nymph trailing below. These fish are educated and spooky, especially in slow pools. I used long, fine tippet and cast from behind boulders, keeping my shadow off the water.
The first fish came from a seam near a fallen log—a small but healthy brown. I paused to photograph the catch, using my hand and net for scale, carefully positioning the fish with the sun behind me to avoid harsh glare. A few quick shots, then back in the water.
Fishing and Shooting in Rhythm
Backcountry fly fishing is about finding rhythm—between casts, between hikes, between light and shadow. I alternated between fishing pocket water and photographing the surroundings. A high ridge caught my eye, so I swapped out lenses and shot wide to capture the dramatic sweep of the river carving its way through the forested canyon.
I kept my camera settings flexible, using aperture priority mode to adapt quickly between moving trout and landscape shots. My K&F Concept backpack made transitions easy, with side access panels for grabbing a lens mid-hike or stashing a fly box fast.
Wild Trout and Wild Moments
The further I hiked, the wilder the water became. Cutthroat started showing up—small, brilliantly colored, and lightning quick. I switched flies to a #12 Yellow Humpy with a CDC midge dropper, and it paid off. Several fish rose in tight, riffled corners that required tricky casts and precise drifts.
I kneeled in cold, mossy shallows, capturing tight macro shots of wildflowers along the riverbanks—bluebells, Indian paintbrush, and buttercups reflected in the water’s surface. These images tell just as much of the story as the fish themselves.
Storms and Staying Safe
Mid-afternoon, the familiar rumble of thunder rolled through the canyon. I packed up fast, knowing that weather in the high country turns fast. The trail turned slick, and I was glad I had lightweight rain gear and a waterproof pack.
Back at camp, I dried off and reviewed photos on my iPad Pro, backed up my files, and journaled the day. A deep sense of satisfaction settled in—the kind you only get after chasing trout and light deep into the wilderness.
• Fishing Tip: Approach low, cast upstream, and let your dry fly lead the way
This stretch of the Pine River is what I chase—trout in untouched waters, scenes only your boots can reach, and photos you can’t take from the side of the road.
Up Next: Part 4 – Animas Mornings: Big Water and Bigger Scenes
There’s something powerful about black and white photography—how it reduces the noise and highlights the soul of a scene. On a recent walk through New York and Virginia , I brought my camera and captured moments that felt timeless, quiet, and full of contrast.
• Brooklyn Bridge in Shadow: Steel cables, towering arches, and a sky fading to white. A frame that speaks of structure and history.
• Reflections in a Puddle: A tall New York building reflected in rainwater. Urban symmetry at its most fleeting.
• Statue of Neptune: Weathered bronze, lost in thought, surrounded by stone. The sea god looks at home in the chaos of the city.
• Clocktower & Gravestone: A juxtaposition of time—one ticking on, the other long past. The cemetery, quiet beneath the gaze of an old city clock.
• Buildings in Contrast: Sharp angles and soft skies. Light breaking across brick, glass, and iron.
Closing Paragraph:
These black and white shots reminded me why I love wandering with a camera—because the smallest things become monumental in the right light. In a city that never slows down, this series let me freeze moments that often go unnoticed.
There’s something about hiking into trout water that changes the whole rhythm of a trip. You leave behind the road noise, the cell signal, the crowded pull-offs—and start tuning into the sound of the wind through lodgepoles and the hush of a river just over the next rise. That’s what drew me to the La Plata River, tucked into a quiet stretch of high country in Southwest Colorado. Part fishing trip, part photo expedition—this was a day I won’t forget.
Starting the Hike: Pines, Shade, and Altitude
The La Plata River trailhead isn’t flashy. It starts modestly with a dirt pull-off and quickly dips into shady pine groves. The trail follows the contour of the valley with occasional glimpses of the river down below. What makes this hike special isn’t just the destination, but the quiet, ever-changing terrain: groves of aspen, mossy boulders, and alpine meadows dotted with summer wildflowers.
With my K&F Concept camera backpack strapped tight and a 4wt fly rod rigged up and ready to go, I eased into a slow pace, letting my eyes adjust to the light and scanning the trail for photo moments—a glint of water through the trees, a mule deer in the brush, shafts of light through pine needles.
Wildflowers and Wildlife: Photography on the Move
Early summer in this part of Colorado is a photographer’s dream. Bright orange Indian paintbrush, purple columbines, and patches of lupine lit up the trail edges. I switched to my 24–70mm lens, using a low angle to capture the pop of color against the green pines.
Light is everything here. I used a circular polarizer to punch up the color and reduce glare when shooting near water. My Canon R5 handled the dynamic light shifts like a champ—especially when a young mule deer stepped out into a clearing, perfectly backlit, right as I crested a ridge.
First Glimpse of the River
About two miles in, I heard it before I saw it. The La Plata winds through tight canyons and then flattens into glassy, slow runs bordered by grassy banks. I dropped my pack, switched into my wading shoes, and tied on a #14 Yellow Stimulator with a Beadhead Pheasant Tail dropper.
The water was crystal clear—trout country through and through.
Stealth and Strategy: Small Water Fly Fishing
Fishing the La Plata is a finesse game. These are wild fish, likely never hooked, and they spook at shadows. I crouched low, casting upstream into shady runs and behind midstream boulders. Several small browns darted for the fly but refused last second. On a good drift, the dropper disappeared and I brought in my first fish of the trip—a buttery brown trout with fire-orange spots. I paused for a quick photo with the fish hovering just above the net, backlit by the sun.
I love these moments—the stillness, the soft light, the ripple of success after a quiet approach. The fish here aren’t big, but they’re beautiful and strong.
The Midday Light Shift
By midday, the lighting got harsh—tougher for photos, but perfect for exploring. I shot reflections along a wide bend of the river, switching to a 70–200mm lens to compress layers of pine ridges and storm clouds moving in.
Back at a mossy boulder overlooking a slow pool, I set up my tripod for a long exposure of the water sliding through rocks. These are the frames I love—where fly fishing meets fine art photography.
Safety First in the Backcountry
Clouds started to build, as they often do in Colorado’s high country. I kept my eye on the sky, wrapping up fishing and heading back toward the trailhead before the afternoon storms rolled in. That’s one lesson I’ve learned: no fish is worth getting caught in a lightning storm above 9,000 feet.
On the hike out, I paused one last time to shoot the fading light over the valley, grateful for a day that felt more like a retreat than a mission.
Tips for Fishing & Photographing the La Plata River
• Start early: For soft light and calm water, hit the trail before sunrise.
• Use a dry-dropper rig: Small dries like Stimulators or Elk Hair Caddis paired with beadhead nymphs are deadly.
• Pack light, but smart: The K&F backpack let me carry camera gear, fly gear, food, and a rain shell without overload.
• Bring a polarizer: It transforms mid-day shots and makes colors pop.
• Shoot with purpose: Capture the fish, but also the landscape, light, and journey—it tells the full story.
This hike into the La Plata River reminded me why I chase these moments—where the line between fishing and photography disappears. The sound of moving water, a trout rising to a dry, and the snap of the shutter are all part of the same rhythm.
Up Next: Part 3 — Chasing Trout and Light on the Pine River Trail
Nestled in the heart of Valle Vidal, New Mexico, Comanche Point offers one of the most dramatic and scenic viewpoints in the state. Surrounded by vast alpine meadows, aspen forests, and rugged ridgelines, it’s a top destination for hiking, wildlife viewing, and landscape photography in northern New Mexico.
This remote area—part of the Carson National Forest—is known for its solitude and abundance of elk, black bears, and wild turkeys. The views from Comanche Point stretch across the Sangre de Cristo Mountains, making it a must-see stop for outdoor enthusiasts and road trippers exploring Valle Vidal.
Perfect for a day hike or scenic stop on a backcountry adventure, Comanche Point captures the raw beauty and history of the New Mexico high country.
Planning a backcountry fly fishing and photography trip is a lot like tying the perfect fly—you’ve got to think ahead, match conditions, and be ready to adapt. In this first part of my Colorado series, I want to share how I planned my multi-river adventure into the high country, blending two of my favorite things: fly fishing for wild trout and capturing the wild beauty of the mountains through a camera lens.
This trip took me deep into Southwest Colorado, targeting remote stretches of the La Plata River, Pine River, Dolores, Animas, and Florida River. Each river offered its own challenges, scenic backdrops, and trout behaviors—making the planning stage even more important.
Mapping the Adventure
I started with tools like Google Earth, Gaia GPS, and the TroutRoutes app to scout access points, trailheads, and water that looked fishy from above. Topo maps helped me estimate mileage and elevation gain for hikes, and I cross-checked each section with known public lands or wilderness boundaries.
The Pine River Trail and the La Plata River hikes stood out for their mix of beauty, remoteness, and good trout habitat. I marked down potential campsites along the trail and noted river crossings or sections that might become hazardous with runoff.
Timing the Trip
Late summer (late July through early September) is prime time for Colorado backcountry fly fishing. Snowmelt has usually slowed, making rivers more accessible, while hatches are still consistent. Wildflowers peak during this window, and the weather (though unpredictable) is often stable enough for longer treks.
I kept a close eye on weather reports, snowpack data, and monsoon activity, especially since lightning and flash floods are real dangers in the high country. I packed accordingly—with quick-dry layers, a solid rain jacket, and a waterproof K&F Concept camera backpack to keep my gear safe.
Fly Fishing Gear Considerations
I packed a 9’ 5wt rod for open water and a 7.5’ 4wt for tighter streams. I went with my trusty Sage Spectrum C reel and a variety of floating lines, knowing I’d fish mostly dries and light droppers. My fly box included a carefully curated selection:
• Parachute Adams (#14–18)
• Elk Hair Caddis (#14)
• Yellow Stimulators (#12–14)
• Beadhead Pheasant Tails (#16)
• CDC Midges (#20)
• Black Woolly Buggers (#8)
• Hoppers and flying ants (for summer action)
This wasn’t just a fishing trip—I had to think like a backpacker and a photographer, which made my packing even more dialed in.
Photography Planning
When it comes to fly fishing photography, weight and protection are huge. I brought my Canon R5, a 24–70mm f/2.8 lens for landscapes and action, and a 70–200mm f/2.8 for compression shots and wildlife. My K&F Concept carbon tripod gave me a lightweight but stable base for long exposures and evening light.
I also packed:
• Circular polarizer to reduce water glare
• ND filter for waterfalls and river movement
• Lens cloths, extra batteries, and SD cards
• Lightroom Mobile on my iPad Pro for quick edits in camp
When planning photography in the backcountry, it helps to scout shot locations beforehand using satellite images or even previous trip photos. I created a loose shot list: mist rising over pools, trout in hand with glowing light, macro shots of wildflowers, and long exposures of rivers at sunset.
Safety & Self-Sufficiency
One of the most critical parts of a backcountry fishing trip is safety. I carried a Garmin inReach Mini for emergencies and communication, plus a first-aid kit, headlamp, multitool, and bear spray (just in case). I let family know my plan, printed a trail map, and downloaded offline GPS maps.
Keeping camera gear dry was also a safety issue—because nothing ruins a trip faster than soaking your camera in a surprise storm or river dunk. The K&F camera backpack’s waterproof bottom and removable insert gave me peace of mind, even while wading or crossing creeks.
Building Flexibility Into the Plan
No matter how dialed in your route is, backcountry travel in Colorado demands flexibility. Storms can shut down trails. Rivers can blow out overnight. You can get to a perfect pool and find it unfishable due to runoff or debris.
So I planned several alternate camps and marked backup spots with easier access. I also packed extra food in case a day ran long, and my fly box had both attractors and match-the-hatch options.
Final Thoughts Before Hitting the Trail
Planning is half the fun of a trip like this—imagining where the fish might be, where the light will hit the canyon walls, and how to tell the story when it’s all over. I hope this series helps inspire your own adventures, and if you’re dreaming about chasing wild trout in wild places, stay tuned. Part 2 takes us into the forest along the La Plata River, where the trail narrows, the river gets clear, and every cast counts.
Up Next:Part 2 – Into the Pines: Hiking to the La Plata River with a Fly Rod and a Camera
Every fishing trip I take starts with a map, a cup of coffee, and a little imagination. Whether I’m launching my kayak into the quiet marshes of Galveston Bay or loading up my fly rod for a week chasing trout in the mountains of southwest Colorado, I treat every trip like its own adventure.
Over time, I’ve built a system that helps me find the right water, prepare for changing conditions, and capture moments along the way through fishing photography. It’s a mix of digital scouting, tide and river flow research, fly fishing strategy, and a lot of intuition.
Here’s how I plan my trips—from coastal redfish missions to high-country fly fishing—along with the tools, tactics, and gear that help me get the most out of every cast.
Step One: Finding the Right Water
When I’m planning a coastal trip around Galveston, I start with Google Earth fishing maps. I zoom in on marsh drains, shell reefs, and grass flats, marking potential ambush points where redfish and speckled trout might be waiting for bait to push through with the tide.
For trout fishing trips, I turn to the TroutRoutes app, especially when heading into places like the Dolores River, Pine River, Animas River, or Florida River in Colorado. TroutRoutes shows me public access points, fly fishing regulations, and real-time stream flows—all in one spot. It’s hands-down one of my favorite apps for planning fly fishing trips in Colorado.
Screenshot trout fishing map of Dolores River using TroutRoutes
Screenshot trout fishing map of Dolores River using Google Earth
I also pull up local fly shop reports and check in with forums and social groups. A few minutes of reading recent trip reports can save me hours on the water later.
Timing is Everything: Tides, River Flows & Weather
Fishing success is all about timing and conditions.
On the coast, I build my trips around tide charts, solunar tables, and wind forecasts. I want to be on the water as the tide’s moving—either pulling bait into the marsh or draining it out through cuts and creeks. That moving water gets everything active, especially when paired with stable pressure and clean water.
For my Colorado trips, I pay close attention to USGS stream gauges. If flows are too high from runoff or summer storms, I might switch to a smaller tributary or hit a tailwater like the lower Dolores. Watching water temperature is equally important—trout get lethargic in warmer water, especially in late summer.
“Success often comes down to 15 minutes of movement—when the tide shifts or the hatch explodes.”
My Fishing Strategies: Flats to Freestones
Inshore Fishing: Texas Marsh Tactics
When I’m chasing redfish on the flats, I’m looking for signs of life—nervous bait, shrimp jumping, birds diving, or the golden back of a redfish pushing through grass. I love fishing with paddle tails, especially the JVS Custom Baits Rip Rap in Copper Penny or a 3.5” Speed Shrimp when fish are keyed in on crustaceans.
If I’m fly fishing in the marsh, I keep it simple: crab and shrimp patterns, long leaders, and a quiet approach. Sight casting to tailing reds never gets old.
Mountain Fly Fishing: Reading Water & Matching the Hatch
In Colorado, fishing rivers like the Pine or Animas means constantly adjusting to what the water gives me. One bend might call for dry flies in pocket water, the next might demand nymphs under an indicator in a deep, slow pool.
When the hatch is on—especially during a caddis or stonefly emergence—I’m in heaven. There’s something about watching a trout rise in fast water, especially when I’ve hiked in for miles with just a small pack and a fly box in my pocket.
Safety First: Especially in the Backcountry
Whether I’m kayaking a remote bay system or hiking into the upper Florida River, I take safety seriously.
• I carry offline maps and GPS, especially when I’m deep in the mountains or out of cell range in a bay system.
• I use a Personal Locator Beacon (PLB) for emergencies—peace of mind goes a long way.
• In mountain country, I pack layers for changing weather, a water filter, and bear spray when needed.
Knowing how to read the weather—and knowing when to pull the plug—has saved me more than once.
Capturing the Experience: Fishing Photography in the Field
Fishing is about more than just catching fish. For me, it’s also about the quiet moments between casts—the mist rising off a river at dawn, a redfish tail breaking the surface, or a trout slipping back into cold, clear water.
That’s where photography comes in. I bring my Canon R5, along with a few key lenses: a Canon L-series for landscape shots, and a Sigma for tighter portraits of fish and wildlife.
I use:
• A K&F Concept tripod for stability when shooting long exposures
• Polarizing filters to cut glare and bring out the detail in water shots
• A dry bag and padded camera insert to protect my gear in the kayak or backpack
Some of my favorite moments are captured during the golden hour—sunset glowing off a canyon wall in the Animas, or first light over the saltgrass back home in Galveston.
Final Thoughts: Why I Plan Fishing Trips This Way
I fish for the thrill of the catch—but also for the quiet, the challenge, and the story. The time I spend planning my trips—researching tides, scouting rivers, organizing gear—is all part of the journey.
Fishing the Dolores River one day and stalking redfish on the Texas coast the next keeps me connected to the water in totally different ways. Both require patience, curiosity, and a little humility.
If you’re planning your own trip—whether it’s chasing tailing redfish or hiking into a hidden trout stream—take your time. Look at maps. Check the flows. Watch the weather. Bring a camera. And most importantly, enjoy the ride.
Photography is more than just capturing an image—it’s about telling a story, finding the perfect composition, and adjusting to ever-changing outdoor conditions. Whether I’m fishing in Texas, hiking through the mountains, or capturing the night sky, my approach to photography combines technical knowledge with an artistic eye.
On my recent trip to New Mexico, as I pursued the Trout Grand Slam, I found myself surrounded by some of the most breathtaking landscapes I’ve ever photographed. The Rio Grande Gorge, Red River, and Rio Costilla offered not only incredible fishing but also endless opportunities for photography.
My Gear Setup
Camera and Lenses
I shoot with the Canon R5, a powerhouse mirrorless camera with outstanding image quality and dynamic range. To adapt to different shooting conditions, I rely on a mix of Sigma series lenses and Canon L series lenses, which offer sharp optics and great performance in low light.
For landscapes, my go-to is a wide-angle lens, such as the Canon RF 15-35mm f/2.8L, which allows me to capture vast mountain vistas and sweeping coastal scenes. When shooting astrophotography, I use fast prime lenses, like the Sigma 14mm f/1.8 ART, which excels at gathering light for crisp, detailed shots of the night sky.
Accessories for Outdoor Photography
• K&F Concept Backpack – A durable and spacious pack that safely holds my camera gear, extra batteries, and filters.
• K&F Concept Tripod – A sturdy, lightweight tripod is essential for long exposures, low-light photography, and astrophotography.
• ND and Polarizing Filters – Useful for managing reflections, enhancing colors, and allowing for longer exposures in daylight.
Mastering Exposure: ISO, Shutter Speed, and Aperture
One of the keys to great photography is understanding the exposure triangle: ISO, shutter speed, and aperture. Since conditions can change rapidly outdoors, I keep a cheat sheet handy for quick reference:
• ISO – Keep it low (100-400) for bright conditions to avoid noise. Increase it in low light but balance it with shutter speed.
• Shutter Speed – Fast (1/1000s or higher) for action shots, slower (1/10s to several seconds) for landscapes, and long (15s+ for astrophotography).
• Aperture (f-stop) – Wide (f/1.8–f/2.8) for night shots, mid-range (f/8–f/11) for landscapes, and narrow (f/16+) for deep depth of field.
Composition and the Art of Photography
A great photo isn’t just about sharpness—it’s about composition and storytelling. I look for leading lines, balance, and unique angles to create compelling images. Shooting from different perspectives—such as low to the ground for foreground depth or high vantage points for expansive views—makes a huge difference.
Protecting Gear in Harsh Conditions
Since I shoot in rugged environments—mountains, rivers, and coastal areas—protecting my gear is crucial. I always bring:
• Weather-sealed camera covers to protect against rain and dust.
• Microfiber cloths for wiping lenses.
• Silica gel packs in my bag to prevent moisture buildup.
• Lens hoods to reduce glare and shield against elements.
Editing on the Go: Lightroom & iPad Pro
Once I’ve captured my shots, I refine them in Adobe Lightroom, often using my iPad Pro for quick field edits. This allows me to adjust exposure, contrast, and color balance on-site without waiting to get back to my desktop.
Key Lightroom Techniques:
• Photo Stacking – Merging multiple shots for sharper images.
• Graduated Filters – Enhancing skies and landscapes selectively.
• Noise Reduction – Crucial for high-ISO astrophotography.
Before and After
Astrophotography: Lenses & Techniques
Astrophotography is one of my favorite challenges. Fast prime lenses like the Sigma 14mm f/1.8 ARTor the Canon RF 24mm f/1.4L allow for more light intake, creating sharp, vibrant night sky images. Using a tripod and remote shutter release, I capture long exposures (15-30 seconds) at a high ISO (3200-6400).
Astrophotography in the Mountains
There’s nothing like seeing the Milky Way stretch over a remote mountain range. Shooting astrophotography at high altitudes reduces light pollution and enhances clarity.
Final Thoughts
Photography is an art that blends technical skills with creativity. Whether I’m shooting sunrises on the coast, rugged mountain landscapes, or the Milky Way, every photo tells a story. With the right gear, knowledge, and post-processing techniques, I can capture the world the way I see it—one shot at a time.
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New Mexico, often celebrated for its stunning desert landscapes and rich cultural heritage, is also a hidden gem for fly fishing enthusiasts. The state’s diverse geography offers a unique blend of fishing experiences, from high-mountain lakes to flowing rivers nestled in canyons. Whether you’re a seasoned angler or a beginner looking to explore new waters, New Mexico has something to offer. In this blog, we’ll take a look at some of the top fly fishing destinations across the state and share valuable tips to help you make the most of your time on the water. So grab your rod, pack your flies, and get ready to cast your line in the Land of Enchantment.
1. The Rio Grande
Rio Grande Gorge
The Rio Grande River flows through some of the most scenic parts of New Mexico, offering great opportunities for fly anglers. This river is home to native Rio Grande cutthroat trout, as well as brown and rainbow trout. It’s ideal for both beginner and experienced fly fishers, with sections that are perfect for dry fly fishing and nymphing.
Best Fishing Seasons:
• Spring & Fall: These are the prime times for fishing the Rio Grande, with trout being more active in cooler temperatures.
Fly Patterns & Techniques:
• Dry Flies: Rio Grande cutthroats are often attracted to dry flies. Use patterns like Parachute Adams, Elk Hair Caddis, or a smaller, light-colored Stimulator.
• Nymphs: For deeper holes, go with nymph patterns such as Pheasant Tails, Zebra Midges, or a San Juan Worm.
• Techniques: When nymphing, focus on pockets near rocks or deeper runs. Dry fly fishing is best during hatch periods, so watch for rising fish and match your fly to the hatch.
2. The San Juan River
Known for its world-class tailwater fishing, the San Juan River is one of New Mexico’s premier destinations for anglers. Flowing below Navajo Dam, the river is rich with trophy-sized rainbow and brown trout. The clear waters and consistent flows make it a favorite among fly fishers.
Best Fishing Seasons:
• Winter & Spring: The San Juan is a year-round fishery, but the best time to catch big fish is in the colder months when the fish are more concentrated.
Fly Patterns & Techniques:
• Nymphs: Patterns like the Zebra Midge, Hare’s Ear, and Egg Patterns are effective in the deeper runs of the San Juan.
Hare’s Ear
• Dry Flies: The San Juan also offers hatch periods with mayflies and caddisflies. Patterns like the Blue-Winged Olive, Griffith’s Gnat, and PMDs are great for dry fly action.
• Techniques: Focus on dead drifting your nymphs along the riverbed, especially in the deeper, slower-moving sections. During hatches, look for fish rising and cast your dry flies to them.
3. Chama River
The Chama River offers both challenging and rewarding fly fishing. Located in northern New Mexico, this river runs through the Chama Valley, where anglers can find wild brown trout, rainbow trout, and cutthroats. The river is divided into sections that are suited to different fishing techniques.
Best Fishing Seasons:
• Spring & Fall: These seasons offer good fishing conditions as the water is cool and the fish are active.
Fly Patterns & Techniques:
• Streamers: Large streamers like Woolly Buggers, Clouser Minnows, and Sculpin patterns are great for targeting larger trout.
• Nymphs: Go with patterns like Copper Johns or Prince Nymphs to target fish feeding on the bottom.
• Dry Flies: Use smaller patterns like Elk Hair Caddis or Griffith’s Gnat when fish are rising to the surface.
• Techniques: When using streamers, focus on casting across the current and stripping them back. For nymphing, look for the deeper holes and fish your nymphs near the bottom.
4. Pecos River
The Pecos River, located in the Sangre de Cristo Mountains, is a pristine spot for fly fishing. The river has crystal-clear waters and is filled with brown trout, rainbow trout, and the occasional brook trout. It’s a great place to hike to, with a wilderness feel and little development.
Best Fishing Seasons:
• Summer & Fall: During these seasons, the Pecos River is perfect for fishing due to warmer water and increased fish activity.
Fly Patterns & Techniques:
• Dry Flies: The Pecos is ideal for dry fly fishing. Patterns like the Elk Hair Caddis, Adams, and Parachute Adams work great during hatches.
• Nymphs: Patterns like Hare’s Ear, Pheasant Tail, and Zebra Midges are ideal for the deeper runs.
• Techniques: Dry fly fishing is most productive during hatch periods when fish are actively feeding on insects. For nymphing, try the classic upstream drift technique, especially in slower sections.
5. High Country Lakes and Streams
For those seeking more solitude and high-altitude adventure, New Mexico’s high-mountain lakes and streams offer great fly fishing. Places like Santa Fe National Forest and Wheeler Peak Wilderness Area boast pristine alpine waters, teeming with native cutthroat and rainbow trout.
Best Fishing Seasons:
• Summer: High-altitude lakes are accessible during the warmer months and offer a peaceful, scenic fishing experience.
Fly Patterns & Techniques:
• Dry Flies: Small patterns like Parachute Adams, Griffith’s Gnat, and small attractors like the Royal Wulff are effective in alpine lakes.
• Streamers: Woolly Buggers, Matuka, and Zonkers are good options for larger trout in the deeper parts of these lakes.
Olive streamer size 10 3xl
• Techniques: Cast near the shorelines and retrieve streamers slowly through the deeper areas. For dry fly fishing, look for rising fish and match the hatch.
Essential Gear for Your Fly Fishing Trip to New Mexico
To ensure your fly fishing adventure in New Mexico is a success, packing the right gear is crucial. Here’s a list of essentials for your trip:
• Fly Rod: A 4- to 6-weight rod is versatile for most New Mexico waters. If fishing in high-altitude lakes, a lighter rod (3 to 5 weight) is ideal for smaller fish, while a 5- to 6-weight rod is great for larger rivers like the Rio Grande and San Juan.
Fly rod and reel
• Fly Reel: A quality reel with a smooth drag system is key, especially for larger trout. Make sure the reel is matched to your rod and has a good line capacity.
• Fly Fishing Line: Weight-forward floating lines are ideal for most situations, especially in rivers and lakes. For deeper nymphing, a sink-tip line or full sinking line may be needed for some sections.
• Leader and Tippet: 9 to 12-foot leaders are typical, with 5X to 6X tippet being common for clear water and smaller fish. For larger fish, go with 4X or 3X.
• Flies: Carry a variety of dry flies, nymphs, and streamers. Some of the top patterns for New Mexico include:
• Dry Flies: Parachute Adams, Elk Hair Caddis, Stimulator, and Royal Wulff.
• Streamers: Woolly Bugger, Clouser Minnow, Zonker, and Matuka.
• Fly Box: A durable, waterproof fly box to keep your flies organized and safe.
• Waders: For rivers, especially in the spring and fall, a good pair of breathable or neoprene waders is essential. Don’t forget wading boots with felt or rubber soles for traction.
• Casting Tools: Don’t forget a high-quality fly fishing net, nippers, forceps, and a fly tying kit if you want to customize your flies on the go.
• Sun Protection: A wide-brimmed hat, polarized sunglasses, and sunscreen are essential for fishing in New Mexico’s sunny climate.
• Backpack: A small, durable backpack will help carry all your gear, snacks, and water, especially if you’re venturing into remote areas.
Tips for Fly Fishing in New Mexico:
• Respect the Regulations: New Mexico has various fishing regulations, including specific season dates and restricted areas. Always check the latest regulations from the New Mexico Department of Game and Fish before heading out.
Special Trout Waters (Catch and Release)
Many rivers and streams in New Mexico have areas designated as “special trout waters,” where only catch-and-release fishing is allowed. In these areas:
• No fish may be kept – all trout must be released back into the water immediately.
• Artificial flies and lures only – in some areas, only flies or lures may be used, and live bait is prohibited.
• Barbless hooks – some waters may require barbless hooks to reduce injury to fish during release.
• Altitude Matters: Many of New Mexico’s best fishing locations are in high-altitude areas. Be prepared for the thinner air, especially if you’re planning on fishing in the mountains.
• Watch for Hatch Times: New Mexico has some great hatch opportunities, but they vary by location. Know the types of hatches that occur in your fishing spot to choose the right fly patterns.
• Stay Safe in Remote Areas: Many of New Mexico’s best fishing spots are in remote areas. Always carry enough water, a first-aid kit, and a map or GPS device.
Conclusion:
Fly fishing in New Mexico offers a wide variety of landscapes, fish species, and fishing techniques. Whether you’re seeking a quiet mountain stream, a big river, or a remote lake, there’s a spot for you. The state’s unique waters, coupled with the opportunity to catch wild and native trout, make it a must-visit destination for any fly fishing enthusiast. So grab your rod, pack your flies, and head to the Land of Enchantment for an unforgettable fishing adventure.
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Every time I hit the water, I have to make a choice—fluorocarbon or monofilament for my leader? It might seem like a small detail, but over the years, I’ve learned that the right leader can make all the difference in whether I land fish or leave frustrated.
This debate has played out for me countless times on the Texas flats, whether I’m sight fishing for tailing reds or working a cut on an outgoing tide. I’ve used both, and while I lean heavily toward fluorocarbon, I still keep mono in my tackle bag for specific situations.
Fluorocarbon: My Go-To for Most Situations
Most days, I’m running 15 lb Seaguar Red Label Fluorocarbon on my Black Max reel, and I do it for a few key reasons. First, it’s nearly invisible underwater, which makes a huge difference when I’m fishing clear, shallow flats and reds are being picky. I’ve watched redfish spook off a lure before they even get close to it, and I have no doubt it was because my leader was too visible.
Fluoro is also tough—which is exactly what I need when I’m fishing near oyster beds and rocky shorelines. I’ve had reds take me into structure, rubbing my line against shells, and fluorocarbon has saved me from heartbreak more than once.
Then there’s the sensitivity. When I’m throwing a H&H paddle tail and working it slowly through a drain, I want to feel everything—every tap, every bump, and the moment a red inhales my lure. Fluorocarbon has less stretch than mono, which helps me react faster and set the hook with confidence.
When I Switch to Mono
That being said, I still use monofilament, mainly when I’m throwing topwater lures like a Spook Jr. or a Rapala Skitter Walk. I learned this lesson the hard way—one morning, I was working a topwater over a shallow grass flat, and I noticed the lure wasn’t “walking” as well as it should. Turns out, my fluorocarbon leader was sinking just enough to mess with the action.
Mono, on the other hand, floats, keeping my topwater lures running properly. It also has more stretch, which helps absorb the impact of aggressive topwater blow-ups and prevents me from pulling the hook too soon.
Another reason I might use mono is cost. Fluorocarbon isn’t cheap, and when I’m fishing in murky or off-colored water where visibility isn’t a concern, I sometimes opt for mono just to save a few bucks.
Real-World Example: Choosing the Right Leader on the Flats
A few weeks back, I launched early in the morning, kayak in tow, targeting redfish on the flats. The water was clear, and as soon as the sun got up, I spotted reds tailing in the shallows. I tied on my usual fluorocarbon leader and threw a H&H paddle tail in cock of the walk right in front of a fish. It didn’t hesitate—it inhaled the lure, and after a solid fight, I had a slot red in the kayak.
Later in the morning, I switched to a topwater Spook Jr. to see if I could pull a few more fish out of the grass. The first few casts didn’t feel right, and I realized my fluoro leader was sinking and affecting the lure’s movement. I quickly cut off the fluoro and tied on 15 lb mono, and within minutes, I had another red explode on my lure. That one simple change made all the difference.
Final Thoughts: Which One Should You Use?
If you fish inshore like I do, fluorocarbon is my top choice for most situations, especially when throwing soft plastics or working subsurface lures. But monofilament has its place, mainly when using topwater lures or fishing in murky water where stealth isn’t as critical.
Here’s a quick rundown of when I use each:
Situation
Leader Choice
Why?
Sight fishing for reds in clear water
Fluorocarbon
Less visible to fish
Fishing near oyster beds & structure
Fluorocarbon
More abrasion-resistant
Throwing soft plastics on an outgoing tide
Fluorocarbon
Sinks & provides better sensitivity
Working topwater lures
Monofilament
Floats & allows natural lure action
Fishing in murky water
Monofilament
Visibility isn’t a concern, saves money
Wanting more stretch for shock absorption
Monofilament
Helps prevent pulled hooks
At the end of the day, both leader types have their strengths, and knowing when to use each will help you put more fish in the kayak.
What’s your go-to leader for inshore fishing? Let me know in the comments—I’m always up for a good fishing debate!
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There’s something about being out in nature that awakens the creative side of me. Whether I’m fishing in the still waters of a misty morning or hiking through rugged mountain trails, my Canon R5 is always by my side, ready to capture the beauty that unfolds around me. Photography, much like fishing, is a pursuit of patience and precision—waiting for the right moment, the perfect light, and the ideal composition to bring a scene to life.
The Art of Seeing While Fishing
Fishing has always been about more than just the catch for me. It’s about the experience—the rhythm of the water, the way the sky shifts in color as the day progresses, and the subtle interactions of nature happening all around. When I’m on the water, I’m not just scanning for signs of fish; I’m searching for those fleeting, beautiful moments that make fishing such an immersive experience.
The golden hour, when the first light of dawn touches the water or when the sun dips low in the evening, offers some of the most magical photography opportunities. The reflections on the water, the soft hues blending across the horizon, the silhouette of a wading bird patiently stalking its prey—all of these moments tell a story. I often find myself pausing mid-cast just to take it all in, knowing that sometimes the most rewarding part of the trip isn’t reeling in a fish but capturing the essence of the moment through my lens.
The challenge of photographing on the water lies in movement—both mine and my surroundings. Kayak fishing, in particular, adds an extra layer of difficulty. The water shifts, the wind pushes, and my subject rarely stays still. But that’s part of the excitement. It forces me to be deliberate in my composition, to anticipate the perfect frame before I even lift my camera. The Canon R5’s fast autofocus and incredible dynamic range allow me to capture fine details, from the scales of a freshly caught redfish glistening in the sun to the intricate ripples left behind by a leaping mullet.
Beyond the technical aspects, photography while fishing is a way of documenting the journey. It’s about freezing those perfect, untamed moments—like the way the early morning mist clings to the water’s surface or how a storm front builds over the horizon, creating a dramatic contrast against the calm bay. These are the images that bring back the feeling of the trip long after I’ve left the water.
Finding Beauty in the Mountains
When I’m not on the water, I often find myself drawn to the mountains. Hiking is an entirely different experience, but one that feeds my love for both adventure and photography. Unlike fishing, where I’m often stationary for long stretches, hiking presents an ever-changing landscape, each bend in the trail revealing new opportunities to frame a shot.
The mountains have a way of humbling you. Standing at the base of a towering peak or gazing out over a valley stretching endlessly into the horizon, you realize how small you are in comparison to the vastness of nature. Capturing that feeling in a photograph is both a challenge and a joy. Composition plays a crucial role—finding the right foreground elements to give a sense of depth, using leading lines to draw the eye toward a distant summit, or waiting for the clouds to break just enough to let a dramatic ray of light cascade down the slopes.
I love the contrast between grand landscapes and small details. While a panoramic shot of mountain ridges bathed in morning light can be breathtaking, sometimes it’s the little things that tell the most powerful stories—the gnarled roots of an ancient tree gripping the rocky soil, a single wildflower blooming defiantly at the edge of a cliff, or the way frost patterns form on a high-altitude lake at dawn. My Canon R5 excels at capturing both extremes, allowing me to shoot sweeping landscapes and intricate macro shots with equal clarity.
One of my favorite aspects of mountain photography is how the environment constantly changes. Weather in the mountains is unpredictable, and that unpredictability creates some of the most striking images. A sudden break in the clouds after a storm can flood the valley with golden light, turning an otherwise ordinary scene into something spectacular. The play of shadows as the sun moves across jagged peaks can create dramatic contrasts that make the landscape come alive. It’s all about being in the right place at the right time—another parallel between photography and fishing.
Blending Adventure with Artistry
What I love most about photography, whether on the water or in the mountains, is how it forces me to slow down and truly see the world around me. It’s easy to rush through a fishing trip focused only on the next cast or to hike with a mindset of simply reaching the summit. But photography encourages me to be present—to notice the light filtering through the trees, the patterns in the waves, the way nature composes itself in perfect harmony if you take the time to see it.
Fishing and hiking both offer a sense of escape, a break from the noise of everyday life. Photography allows me to take a piece of that escape with me, to relive those moments through images that hold not just the visuals, but the emotions of the experience. It’s about more than just snapping a picture; it’s about telling a story—one of adventure, of solitude, of the raw beauty that exists in the natural world.
With every trip, I come home with a collection of images, each one a reminder of where I’ve been and what I’ve seen. Some of them end up shared, printed, or framed, while others remain personal, tucked away as snapshots of my journey. But all of them serve the same purpose: they capture the moments that make being out in nature so meaningful. And as long as I have a fishing rod in one hand and my Canon R5 in the other, I know there will always be more moments waiting to be captured.
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Kayak fishing is all about being in the right place at the right time, and nothing dictates fish movement more than the tide. Whether you’re chasing redfish pushing into the shallows or speckled trout staging near structure, understanding how water moves will help you position yourself for better catches.
Unlike fishing from a boat, a kayak limits how far and fast you can move. That means planning around the tides isn’t just helpful—it’s essential. In this post, we’ll break down how tides work, where fish go during different stages, and how to position your kayak to take full advantage of tidal movement.
The Basics of Tides: What You Need to Know
Tides are the rise and fall of water levels caused by the gravitational pull of the moon and sun. Along the Texas coast, we generally experience a mix of:
• Two high tides and two low tides per day (semi-diurnal tides)
• One high tide and one low tide per day (diurnal tides)
These patterns shift throughout the year, and understanding them helps you predict when and where fish will be actively feeding.
Tides affect more than just water depth—they influence current strength, bait movement, and fish behavior. Let’s look at how different tidal stages impact fishing.
How Each Tide Stage Affects Fish Movement
Incoming Tide (Rising Water)
• What happens: Water pushes up onto the flats, flooding marshes and grass beds. Baitfish, shrimp, and crabs move into shallow areas, followed by hungry predators.
• Best fishing areas:
• Grass flats and flooded marshes where redfish hunt for crustaceans.
• Oyster bars and sand pockets where speckled trout ambush bait.
• Creeks and drains where baitfish move inland with the rising water.
• Kayak positioning tip: Set up near marsh edges, grass flats, or points where water is moving in. Cast lures upcurrent and let them drift naturally toward the strike zone.
High Tide (Peak Water Level)
• What happens: Water levels are at their highest, spreading bait over a larger area. Fish can be more scattered, making them harder to locate.
• Best fishing areas:
• Shallow pockets where redfish are cruising, often tailing.
• Deeper grass edges where speckled trout stage.
• Channels and drop-offs where fish wait for the next tidal shift.
• Kayak positioning tip: Paddle quietly along flooded grass flats and look for signs of activity like wakes, tailing fish, or nervous bait. If fish are spread out, cover water with a paddle tail soft plastic or a topwater lure to draw attention.
Outgoing Tide (Falling Water)
• What happens: Water drains from the flats, concentrating bait into deeper channels, cuts, and drop-offs. Predators position themselves to take advantage of the easy meals being pulled by the current.
• Best fishing areas:
• Tidal drains and creek mouths where baitfish get funneled into deeper water.
• The edges of oyster reefs where trout wait to ambush prey.
• Wind-blown shorelines with structure that hold redfish.
• Kayak positioning tip: Anchor near a drain or channel mouth and work lures with the outgoing current. A popping cork with a shrimp imitation works great in these scenarios, as does a soft plastic jig bounced along the bottom.
Low Tide (Lowest Water Level)
• What happens: Water is at its lowest, exposing oyster reefs, mud flats, and deeper potholes. Fish retreat to deeper water but still remain close to structure.
• Best fishing areas:
• Deeper channels and holes where fish are concentrated.
• Drop-offs near sandbars and reefs.
• Shallow areas where fish may be “trapped” waiting for the next incoming tide.
• Kayak positioning tip: If the tide is really low, be cautious of getting stuck in shallow areas. Focus on deeper structure and work slower-moving baits like suspending twitch baits or soft plastics on a jig head.
How to Use Tides to Plan Your Kayak Fishing Trip
1. Check the Tide Charts Before You Launch
Apps like Tides4Fishing, NOAA Tide Predictions, or Windy provide real-time tide data for your area. Look at when the tide will be rising or falling and plan your trip around those peak movement windows.
2. Consider Wind Direction
Wind can either help or hurt your fishing trip. A strong wind against the tide can slow water movement, while a wind pushing with the tide can accelerate it. Adjust your kayak positioning accordingly to take advantage of natural bait movement.
3. Look for Areas That Funnel Water
Anywhere water is forced through a smaller area—like a creek mouth, jetty, or channel—will create a natural ambush point for predators. These areas are excellent for targeting redfish and trout as the tide moves in or out.
4. Use the Current to Your Advantage
Instead of fighting the current, position your kayak so you can cast into it and retrieve your lure naturally with the flow. This mimics how baitfish move, making your presentation more effective.
5. Stay Mobile, but Be Strategic
Kayak fishing requires efficiency. Instead of paddling aimlessly, use the tide to drift through productive areas, covering more water with minimal effort. If the bite slows down, move to a new location where the current is stronger or weaker, depending on the stage of the tide.
Final Thoughts
Tides are one of the most important factors in inshore fishing, and learning to read them will significantly improve your success on the water. By understanding how water movement affects fish behavior and positioning your kayak accordingly, you’ll put yourself in the best possible spots to find actively feeding redfish and speckled trout.
Next time you hit the water, take a few minutes to study the tide charts and plan your approach—you’ll be amazed at how much of a difference it makes.
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Tight lines, and see you Beyond the Cast!
What’s your favorite tide stage to fish? Drop a comment below and share your experience!
Spring is an exciting time for inshore anglers targeting redfish along the Texas coast, especially in the Freeport and Galveston areas. As water temperatures rise, redfish transition from their winter haunts into the shallows, feeding aggressively on baitfish and crustaceans. To consistently find and catch redfish this season, it’s crucial to understand their movement patterns, feeding behavior, and how tides and weather influence their activity.
In this post, we’ll break down spring redfish behavior and proven tactics for both the Freeport and Galveston areas so you can make the most of your time on the water.
Seasonal Transition: How Spring Affects Redfish
Redfish spend much of the winter in deeper channels, back lakes, and protected bayous, where they seek out stable water temperatures. As spring brings warmer weather, they begin pushing into shallow grass flats, marsh drains, and oyster beds, where food becomes more abundant.
Recent Observations from the Water
Last week, I noticed a significant increase in redfish moving into the shallows and grass flats. Both slot-sized reds and bull reds were cruising shorelines, especially in the marshy backwaters of Freeport and the grassy flats around Galveston’s West Bay. The warming trends throughout the day had these fish feeding aggressively, with multiple tailing reds in less than a foot of water.
• Rising water temperatures (60°F-75°F) – Increases redfish activity and feeding.
• Bait migrations – Shrimp, mullet, and menhaden begin pushing into shallower estuaries.
• Tidal influences – Higher tides allow reds to move into newly flooded grass flats.
• Spring rains and freshwater flow – Can impact redfish locations, especially near river mouths and marsh drains.
Redfish Movement Patterns in Freeport & Galveston
Recent Trip Insights
On my last trip, I noticed redfish moving into wind-protected flats and bayous as the day warmed up. In the morning, reds were still hanging around deeper drop-offs near bayous and channel edges. By late morning, they were actively feeding along shorelines and oyster reefs in Christmas Bay, Drum Bay, and the backwaters of Galveston’s West Bay.
Key Areas to Target in Freeport & Galveston
• Freeport
• Bastrop Bay & Christmas Bay – Shallow grass flats, oyster reefs, and marsh drains hold plenty of reds during a rising tide.
• Drum Bay & Hoskins Bayou – Great for targeting redfish in marsh channels and deeper bayous during outgoing tides.
• Cold Pass & San Luis Pass Back Lakes – Clearer water and strong tidal flow make these areas prime for sight fishing.
• Galveston
• West Bay (North Deer Island & Greens Lake) – Excellent springtime spots for redfish hunting bait along grassy shorelines.
• Jones Bay & Chocolate Bay – Shallow mud and shell bottoms warm up quickly, attracting feeding reds.
• East Bay (Anahuac Pocket & Marsh Drains) – Productive on an outgoing tide as bait flushes from the marshes.
Tides, Wind, and Feeding Behavior
Tides & Best Feeding Windows
On my last trip, the outgoing tide was the most productive, especially near marsh drains where redfish were stacked up waiting for bait to flush out. Slack tides were slow, but once the water started moving again, the bite picked up fast.
• Outgoing tides – Best for ambush feeding near marsh drains and cuts.
• Incoming tides – Reds push into newly flooded grass flats and shoreline pockets.
• Slack tide – Slower bite; good time to relocate or make adjustments.
Wind & Its Effect on Redfish
• South winds help push warmer water into the bays, keeping reds more active.
• North winds after a front can slow things down, pushing fish into deeper areas.
• Slight chop vs. calm conditions
• Slight chop makes redfish more aggressive.
• Calm conditions make reds spookier, requiring long casts and stealthy approaches.
4. Feeding Patterns & What Redfish Eat in Spring
Primary Forage for Spring Redfish
• Shrimp – A top bait choice in early spring, especially around marsh drains.
• Mullet – Bigger mullet become a key food source as temperatures warm up.
• Crabs – Found in grassy shorelines and a favorite target of tailing reds.
• Menhaden & Pinfish – Common in open water and around reefs.
Best Lures from My Last Trip
• JVS 3.5 Speed Shrimp (White & Gold) – Worked great on a slow retrieve along the flats.
• H&H Paddle Tail (Golden Bream) on a 1/8 oz Jighead – Perfect for bouncing near oyster beds.
• Gold Spoon (1/4 oz) – Great for covering water and triggering reaction bites.
Adjusting to Changing Spring Conditions
Cooler Mornings
• Work slow-moving soft plastics near deeper bayou edges.
• Look for mud-bottom areas that retain heat overnight.
Warmer Afternoons
• Target flats and grass shorelines, where reds become more active.
• Throw paddle tails or topwaters near structure.
Windy Days
• Focus on wind-blown shorelines, where bait is being pushed.
• Use louder lures like a popping cork with a shrimp imitation.
Calm & Clear Days
• Look for tailing reds in the shallows.
• Scale down to lighter fluorocarbon leaders (12-15 lb) and more natural-colored baits.
Interactive Map: Best Spring Redfish Locations
Google earth screenshot
Google earth screenshot
For a better look at these key fishing spots in Freeport and Galveston, I recommend using Google Earth or interactive fishing maps. These tools can help identify:
• Oyster reefs and grass flats where redfish are feeding.
• Marsh drains and bayous that hold fish on moving tides.
• Depth changes and structure that redfish relate to in different conditions.
Final Thoughts
Spring is one of the best times to target redfish in Freeport and Galveston, with warming waters bringing fish into the shallows and increasing feeding activity. Whether you’re working marsh drains, grass flats, or oyster reefs, understanding how redfish move with the seasons and tides will give you an edge on the water.
Every trip is a learning experience, so get out there, apply these strategies, and adjust to what the fish are telling you. Don’t forget to share your catches and experiences with us!
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Beyond the Cast 
Let me know your thoughts in the comments below!